Easily one of my favorite eras for long hair inspiration is the Edwardian era, spanning the late 1800’s to approximately 1914 where, like their Victorian counterparts, [for me at least] the original new romantics first appeared.

Following the Victorian era’s silhouette, there is a constant evolution in ladies fashion. We can see a gradually less puffy skirt, the bustle disappears by the end of the Edwardian period and those infamous “leg ‘o mutton” sleeves swelled to enormous proportions, to be replaced later by a more tailored “suit”, popular with traveling ladies. We also see many variations in corsetry, ladies footwear was concealed then revealed during this era and large extravagant hats played a part in a society ladies wardrobe.

Hairstyles were equally varied. There is a softening of the severe up-swept hair styles found in the Victorian era. The fashionable Edwardian lady often wore her hair sculpted and coiffured into decadent creations for special occasions and using hair pieces that were curled - and ornamental combs were essential.

To recreate an Edwardian inspired hairstyle I have chosen these images as inspiration:

  

I wanted to create a look that was elaborate, had the period-authentic shape at the sides and top and took full advantage of our model Sylvie’s glorious purple mane. This is quite an elaborate style, so I will break it down into several steps. This is a defiantly intermediate level style so practice makes perfect – or come into Wildilocks at the Lockworks and we can do it for you!

Before:

  

First, I divided the hair into five distinct sections.
1: Section one starts about a finger length back from the front/centre hairline, curves around into an oval shape and ends about 2” above the occipital bone (that little button like bone at the lower back of your head)
2: Sections two and three start from the “corner” of the oval, measured with the temple, and goes in a straight line down to the nape/hairline on either side.
3: Section four is the remaining hair under the oval section and in between the second and third sections
4: Section five is the remaining hair left out at the front, or fringe section.

Sections #1 and #3 are pony-tailed for control, the rest are left loose. Sections #1, #2, #3 and #4 are all curled with a curling iron and a soft hairspray, hot rollers will do well also. Be sure to make the curls various directions in sections #1 and #4, however sections #2 and #3 (on either side of the head) are curled back on a soft diagonal angle away from the face.
Please refer the the video and images for a clear view and description of part of this preparation [click on thumbnails for larger images]:

  

This make take a while, however good clean preparation means the hairstyle will be a lot easier to create and your end result will show any sloppy workmanship, so don’t skimp too much in these formative stages!

Once all this is done, I start back at Section #1. Using a back combing technique I create a cushioning on pieces taken from the pony tail. I then rolled the first 3-5” these into barrels or tubes leaving the ends out, and then placed each of these into a vertical line over the pony tail. This is done to create the height and shape for the interior of this period hairstyle. I then repeated this process in section #4. The ends that you have left out are for decoration and filling in space, wrap them into little curls and pin them to the bases you have created – you will use them later. Check out the video to see this clearly:

The next step is to address the sides, sections #2 and #3. We will back comb these and roll them into rolls, reminiscent of the 1940’s style victory rolls. Start by back combing the base at the roots only, and split the sections into two (top and bottom). Using hairspray and fingers, roll these into larger versions of the barrels you created in sections #1 and #4. These will angle back to follow the hairline and roll away from the face. Start with the bottom half and then to the top half, as this will be easier to blend and connect. Be sure to back comb well enough at the base for the bobby pins to be secure or they will just slide out. Try the hide your pins wherever possible too. Check out the video to see this clearly:

Now you should have a very good base shape for an Edwardian look hairstyle. Take a little happy dance-break, ’cause you’re almost there. Release the ends you left out from sections #1 and #4. You can now use these to decorate the space in between the sides (sections #2 and #3) and decorate the vertical rolls. I like to use a light wax to smooth and define these ends, it gives great shine and helps control fly-aways, however use wax sparingly as you can also make the ends look heavy and greasy by mistake. I also prefer using ripple pins in place of bobby pins for this stage as they are easier to hide and don’t squash the hair. I also chose to leave the ends loose at the nape to exaggerate the “V” shape that is distinctive for this era. You may not choose this, but I prefer it personally.

The final stage is to create a fringe design. This can be either left out for a modern version, or rolled back to blend into the side, either left or right, ala sections #2 or #3 or a bit of both. I would however avoid a dead-center part for this style. Here is a short video of our finished look so you can see it from all angles, as well as many more photos. Feel free to decorate your hair with pretty flowers, jewels, feathers or anything that takes your fancy, and enjoy!

Want more? Is there are decade or period look or star that you would like to see? Then drop me an email at kat@wildilocks.com!

Hairstyling in the 1930’s reflected a progression from the finger waves of the 1920’s to a soft, full version that was popular in this time. During the 20’s and 30’s, the Jazz age heralded the woman released from the bondage of compulsory corsetry and reborn into radically sleeker lines in her outfits and hair. In the 30’s as opposed to the 20’s, there was a return to setting and curling that took the severity of the 1920’s slicked finger waves into the coiffured waves that was favored by the glamour set as well as the much emulated movie starlets of the era.

My inspiration for this look was the 30’s screen icon Clara Bow. In this image we can see there is still a defined wave movement back and forth, with the soft voluminous silhouette that is the product of setting rather that wet-molded waves.

image from The Biography Channel

As we can see in our before shots, Candy has a layered version of the classic 1930’s shaped hair cut, with a graduated (angled) line at the back to create a diamond shaped style, and longer interior layers, fantastic for waves.

As we are re-creating a period hairstyle with modern tools, I’ve chosen a narrow straightening iron instead of setting rollers. You are more likely to have irons at home than rollers, and its faster to start and finish on dry hair as well. This look can also be created with hot rollers, and if you have the patience you can wet set with rollers and dry with a hooded dryer or hair dryer. Authentically it was done with a combination of rollers, waves and pin curls, I’ve chosen to demonstrate this way to make it easier for you to recreate at home.

I started with the nape (hairline at the base of the neck) and worked up, so as not to disturb the hair as I was setting. Each row was curled on a diagonal part so the resulting curl would sit to one side or direction. This image shows the alternation directions of the curls well. Do each row wrapped around the entire head, from hairline to hairline, like a typewriter!

For example: the first row , each part or individual curl was curled toward the right, the next row was done opposite, to each individual curl faced toward the left. Each row is done in alternating directions, much like finger waves would be.

Example:

__ __ _

/_//_//_/

\_\\_\\_\

Each row would be parted into individual slanted rectangles or oblongs, called rhomboids, so this setting pattern is sometimes called alternating oblongs or alternation rhomboids.

To help explain this better, refer to the video below for a more visual guide:

Its important to decide where your part will fall before you curl the top. To be period-specific, I recommend a straight part rather than an angle, to one side, approximately over the arch of the brow or center of the iris rather than too close to the center.

Once you have the curls completed, let them cool before proceeding. If you have heavy or slightly longer hair its advised to place them into pin curls by clipping the curl ends neatly tucked into the base. Ends only, as you don’t want to flatten or distort the curls.

As you can see above, I have a strong side part and have left out the fringe for an alternative and contemporary 1930’s wave, but as it was popular to have the face framed with smaller defined curls and waves you may choose to continue curling the entire head and not leave out a separate fringe, the choice should be based on your desire to have either an authentic look or a more modern version.

Once the curled hair has set, (hair is still setting while it is hot/warm, so for best results always let the hair cool completely, this is true with hot rollers as much as it is with irons) I have back combed the roots for volume and fullness while leaving the mid lengths and ends smooth and tangle free. This step will support our volume by holding the hair out from the scalp, and leaving the ends free will give us waves to mold into our finished shape. Don’t be alarmed, this will look very odd but it’s simply a means to an end!

When you have done this, use a light hairspray on the roots to help with the hold. Its very important to use a soft or light spray rather than a lacquer and to use it sparingly, as you still have some styling to do to complete this look. Be sure to spray at a distance of 20-30+ cm’s so as not to spray wet beads onto the hair, that will make it very sticky and create separations.

Now we are ready to complete our 1930’s waves. This time we will start at the top, creating our hairstyle, dressing or combing out away from the part and into waves.

I will aim to make these written instructions clear as possible, please also watch the video above for a visual reference and support guide to the above instructions as well as completing this look.

Start from the heavy side of the part (the side with more hair) and comb at a 45 degree angle into the wave.

Example:

If the C of the curl/s created are open on the right side (as our alphabet C is) the wave starts moving to the LEFT first and returns to the RIGHT to complete a C [or ¾ circle shape]. These two directions are called 1^st direction and 2^nd direction; 1^st direction is moving into the wave, 2^nd is moving out of the wave.

Comb into 1^st direction, into the wave, and then hold the hair just under where you have stopped to keep the hair steady and comb 2^nd Direction out of the wave.

As you complete the 2^nd direction, you have already created the 1^st direction for the next wave. As the waves move in alternating direction, the will continually connect and blend into each other, creating a series of connected S’s back and forth. Be sure reach row blends into the one underneath it and are not separated from each other.

As you also see in the video, I used a light hairspray for control and to smooth out fly away hairs. I also use clips to hold the waves in place, so I can continue to create the waves without distorting the waves already completed.

The ends can be left into full random-direction curls. Overall, once you have created your waves, check for balance, and for a diamond or triangular silhouette. Smooth frizz-free waves with defined back and forth direction as well as in and out volume will give you a wonderful full and soft 1930’s look.

The finished product!

from the side

Ready for a night on the town

This style is a bit intermediate-advanced if you are not practiced at styling hair, especially tricky to do on yourself, so its worth practicing or having a pamper-play night with some friends to try it out on each other. And of course you can always come into one of our salons and we can offer the talents of our staff to assist you in creating this and other fabulous vintage looks!

Have fun, and if you have any questions, or want to show us your own 1930’s creations, we’d love to see them! Drop me a line at kat@wildilocks.com.

It seems hair articles and images about vintage hairstyles cater almost exclusively to women. Indeed, for time periods before the 1950’s, there are scant resources out there, especially for the Victorian or “Steam era” styles, and there was not a lot of variety on the first half of the 1900’s when it comes to mens hairstyles.As frustrating as this may seem it does offer quite a simple solution, and that is simply to be more relaxed about creating period-specific hair styles and work with what you have to create a look you like. For example, dashing steampunk and Victorian gothic gents can easily wear long coiffured hairstyles or short sculpted waves, and with some styling advice, pictures and video, Wildilocks wants to help you create your own period mens hairstyle.

For our first subject we have the dashing Sir Frederick Chook, who modeled several styles for us, which we will feature in three separate articles: the decadent Byronesque coiffure, the distinguished hidden ponytail, and dashing finger waves for long hair. This article is number one of this series: the decadent Byronesque Coiffure.

For this look we started with long dry hair, and using a large barrel iron and a light coat of hairspray we curled each section from bottom to top as demonstrated below:

Be sure to decide on your part before you start. Each curl was secured with a pin curl to allow it to cool without dropping, our intention was to create a natural-looking curl that would stand up to styling and a photo-shoot (or indeed a night out).If your prefer a strong curl then by all means use a smaller iron; the smaller the iron, the tighter the curl and the further back in history you go, so be aware that long and very small curls on a men were more general to the 1700’s and 1800’s than the Victorian era.Once the hair has cooled (feel the pin curl clip; if it is cold then your hair has set), release carefully and loosen with your fingers.

Use a small amount of wax/pomade to define your locks, as Kat demonstrates very thoroughly below:

The finished result should be loose, flowing, natural, but a smattering of more defined curls, as Sir Frederick demonstrates, ready for a night on the town:

In closing, recreating vintage hair for men means working with the cut you have and the look you desire, the rest is practice, or visiting a salon like Wildilocks that can do it for you. If you have a particular styling period or question you’d like us to look at or feature in Wildilocks Treats, please email treats@wildilocks.com! If you have further questions or comments about the above article, please comment below.

Kat Martin

Coming next in this series: the distinguished hidden ponytail!